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To start off with: Terminology.  "Villanovan" is the name initially given to culture of the area around Rome and Etruria in the Late Bronze and Early Iron Ages (10th to 7th centuries BC), based on finds made near the town of that name.  Now, however, "Villanovan" is apparently being used to describe an *era* and applied to all the varied cultures of Italy, including the Etruscans.  Therefore we can still describe the legendary Romulus and Remus (traditionally 753 BC) as Villanovans, but we will leave the semantics of whether that describes their culture or their place in time to the academics!  Numerous grave finds give us a good idea of the armaments of the time, though clothing and other perishable items are much harder to document.  Connolly's Greece and Rome at War, has been highly inspirational and helpful, and there are two Osprey volumes: Early Roman Armies by Nick Sekunda, and Early Roman Warrior 753-321 BC by Nic Fields.

       Clothing is the hardest aspect to research!  There is no artwork that is useful--a few bronze figurines show the helmet in perfect detail but are otherwise stick figures...  There is LOTS of artwork from a couple centuries later, but how much of it is applicable to the 8th century?  Archeological finds are rare and fragmentary.  Barber's book Prehistoric Textiles mentions a Villanovan find of linen decorated with weft looping, sort of like terry cloth.  But no details about whether that was done in some sort of pattern, etc.  So I dragged in evidence from a wider range of time and space to fill the gaps.  I hate speculating, but I had to wear SOMEthing! 

       My tunic is striped linen, with a straight rectangular body and short sleeves.  The hem has a blue linen fringe, and the neckslit is finished in blue linen thread.  I was basically combining a Mycenaean shape with stripes such as those seen on the later Vacheres clasp.  But since I made this tunic, I'm wondering if something sleeveless and pinned at the top might be more accurate, since brooches are such common grave finds.  If I find some spiffy patterned wool I'll do one that way!

       Here's a close-up of the fringe, with the border of the cloak showing a sun circle and two of the horses.
       An article in Ancient Warfare by Corrado Re mentions a late Villanovan grave which contained two large woolen mantles or cloaks, crescent-shaped like the toga but smaller.  It said they were "mostly dyed in shades of red or orange with fine purple decoration."  Nothing else!  (Oh, the article also mentioned "what is perhaps some sort of tunic".   Grrr....)  I really wanted madder red wool, but settled for some nice scarlet red that I already had on hand.  How to do the decoration was also a question, until I saw that Plutarch mentions Romulus wearing a toga ("tabenna", the Etruscan word for toga) with a purple *border*.  There is also a fresco of an Etruscan wearing a red tabenna or half-circle cloak with a purple border.  So I decided on embroidered purple decoration around the edge of my cloak.  A couple months of stitching resulted in two bands of zig-zag with 32 little horses and 32 "sun circles" between them (taken from the bronze shield, below).  It is nearly 4 yards long by 60 inches wide, somewhat smaller than the toga which forms the backdrop.
         Romulus at the University of Pennsylvania Museum's Founding of Rome event, April 21, 2013.  This is before the embroidery is done on the cloak.  I can wear it like a cloak, pinned at the right shoulder, though if it is simply draped it doesn't cover up my "bling"! 
       My experiments with making the common "leech" brooch from metal did not have enough curvature, so I made one with a composite body of bone and ebony.  Some of those that survive also use amber.  I learned that it would have been wiser to drill the holes through each piece *before* gluing them together, but eventually I got the rotten wire through, and it works nicely.

Surviving leech brooches range from a mere half-inch long to a good 6 inches.  Small ones seem to have been simply pinned in pairs down the front of a woman's dress, possibly as closures but maybe just for decoration.  The body of a leech brooch was typically hollow cast, and the larger ones bear a striking resemblance to later "arm purses".
       My other two brooches are spiral types made of bronze wire, 3-3/8" long and 2-1/4" long. 
       Nick Sekunda's Osprey volume, Early Roman Armies, includes a drawing of finds from a grave on the Esquiline Hill in Rome, "Findgroup 98".  It includes a 2-part belt hook made of bronze wire.  My first experiment was a lightweight version for a purple wool belt, but more recently I used heavier bronze rod to make hooks for a leather belt, just under 3" wide.  The tooling was done with humble screwdriver.  Being paranoid about the fit, I took a leap and made the belt adjustable by means of a pair of thongs sewn to the back
       Romulus at the Virginia Junior Classical League convention in Richmond, VA, November 2013.  First event with the whole kit more or less done!  I'd like to make a wool tunic, and a checked cloak would be interesting (possibly as part of the "Remus" kit!).

       This is always an amazing event, nearly 2000 very enthusiastic high school Latin students, plus teachers and some parents.  The Twentieth Legion is joined by Legiones III and IX, and we give a half-dozen lectures over the weekend on everything from armor to drains. 

       My first attempt at the Villanovan crested helmet, November 2008.  It is made from 18-gauge (c. 1mm) sheet bronze in two halves, secured by a rectangular plate with 3 pegs at front and back, and the edge of one side of the crest folded over the other side.  The progress of its construction can be seen on the Bronze Age Center, 

       This is a pretty common style, and is frequently called "Etruscan" but I'm not sure they have a claim to its origin.  It clearly does derive from the earlier "Kamhelm", and helmets such as the Pass Lueg example from Austria.

       It came out a little narrow, but it *does* fit on my head!  And at the moment it needs a little polishing.  The lining is made from linen and wool, glued into place.  None of the original helmets of this type seem to have holes punched around the rim for sewing in a lining.

       This helmet is copied from on in the Axel Guttmann collection.  It is identified as Villanovan but there were no other details.  I liked it, so I made it, and I call it my "Remus helmet".  It's actually made from a spun brass dome (leftover from a Twentieth Legion project from years ago), which I simply trimmed down a little and added the sheet brass crest pieces.

       The crest is horsehair glued into holes in a wooden block.  The front of the block has a bronze tab which slides under a strip of bronze riveted to the helmet.  At the back a wooden peg goes through a hole in the block and through the last triangular hole in the metal crest piece. 

       The helmet has a wool and linen lining, secured by stitches at the side and at a couple points under the crest block. 

       Here is the photo of the original--that and the catalog description were all I had for information.  I may have made my crest block wider than the original.  The shield is 13-5/8 inches in diameter.

       Obviously I had to make that shield, too!  Total weight about 2 pounds. 

       Plutarch tells us that Romulus had his warriors adopt Sabine weaponry, including trading their round shields for the oblong Sabine shields.  The ancestor of the famous scutum is shown as an oval or oblong, sometimes dished, with a spine boss.  I made mine flat so it can double as a Celtic shield or even a Hellenistic theureos ("door"!). It is 39 by 23 inches, about half an inch thick in the center tapering down to about a quarter-inch at the edges.  I used plywood, and covered it with fabric front and back, with a stitched leather rim.  The spine boss is done in three parts, the center hollowed from a solid block plus the two spines. 

       Helmet by Chris Levatino.  He made his first, and it inspired me greatly!  His probably fits better than mine, too. 

       Another helmet and shield from the Guttmann Collection.  The shield is a little bigger than the one I copied, and is decorated with little horses.  Helmets which were intended to serve as lids for cinerary urns (holding the ashes of a cremated person) may not always have been wearable or functional.

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       As soon as I saw an illustration of this cuirass in Peter Connolly's Greece and Rome at War, I wanted it.  It is a unique piece known as a "poncho cuirass", and the original is in the University of Pennsylvania Museum in Philadelphia.  So in October 2008 I spent a couple hours there with camera and notebook, and hauled out the sheet bronze!  Progress photos are on the Bronze Age Center:

       I decided to interpret this as a piece of functional armor.  The backplate is speculative, since only the breastplate remains.  I strongly suspect the original cuirass was a ceremonial or funerary piece, lacking a backplate as well as being too large and thin to serve as functional armor. 

       The original poncho cuirass in the UPA Museum.  It turns out that it was found in a grave in Narce, about 20 miles north of Rome.  This was the territory of a tribe called the Faliscans, who were heavily influenced by the Etruscans and were never great friends of the Romans.  It dates to the mid-8th century, however, so even if it didn't *belong* to Romulus, he may have known the guy who wore it.  But archeology has turned up nothing else like this, aside from a couple gold "collars" from other countries, so we can hardly say it was a "typical" piece, nor that it was even certainly armor.

       The ultimate cool event: Being at the UPA Museum for their Founding of Rome event, on the anniversary of the founding of Rome (April 21, 2013), as the Founder of Rome!  This is me by the case with the poncho cuirass.  The helmet is a similar style to mine but with a bigger crest.  Photo by John Niemiec.